The girl’s mere presence, beaming with life, leads the wounded, elderly ruler to the doorstep of reflection and to his eventual death. The passing on of wisdom, the dyssynchrony of desire/lack of desire. In Ciri’s interactions with Auberon, Ciri becomes the harbringer of the end, the taker-away of sorrows, the reminder of failures and hopes, foiled ambition.
Constant balancing act in the name of fulfilment, power, and life. Abandoning even one painful step will lead to disaster. For there is no result and power without dialogue & understanding & the achievement of equal grounds. A symbol of hope for new life/beginnings, or a curse of thwarted will by a grown woman’s will. Through the shadow of Lara, Ciri is (pushed) to grow into the role of a “mother” - one on whom others will depend, but who herself will invite admiration and support.
To Avallac’h - the destined father to a saviour - Ciri is what must always be the other half. In Ciri’s interactions with Avallac’h, worship is present at the same time as the expectation of the bearing of responsibilities.
The representation of unexpected, violent impulses that are as bright as they are uncertain. To Eredin - the dark stranger - Ciri is an amusement, a challenge, a prey that betrays the opportunity to mould and shape. In Ciri’s interactions with Eredin light is shone to sexual awakening, a mixture of fear & desire of the Maiden before the confusion of “craving”, the competing need to submit the other to oneself while wishing to be possessed, the murky darkness and uncertainty of liminal phases. Through Auberon, Ciri is the Death Crone. Through Avallac'h, Ciri is the Goddess/Adult Woman. They interact with each other in all stages. Through the Triple is showcased the eternal cycle of life - and that cannot be realised without the presence of the cup (feminine) & the sword (male) both. Three is a powerful symbolic number & one Sapkowski very consciously follows - “She who is Triple - is the Virgin, the Pregnant Mother, and the Old Woman - Death” (Swiat króla Artura). It’s because it is through Auberon, Avallac’h, and Eredin that Ciri the Grail ( = Woman) represents and lets shine through the Three Feminine Aspects of a Woman/Goddess. So, ever wondered why there are three “elven princes” waiting for Ciri in the world of the Aen Elle? Heilagt brúðkaup milli drottningarinnar og dádýrsins og kallar Morrigan fram sem Macha, Anu og Maeve frá maí gagnvart fæðingu og hinni heilögu og guðlegu sameiningu. Kveikjum leið Fae og andanna jafnvel núna, vekjum ást og kynlíf milli jarðar og himins. Hysteria af pandemonium á jörðinni, eldnótt, eldmánuður, Mì Beltaine. Sacrum inter nuptias regina inque plagam nullo cervus agitarunt, pervestigationes incitantes, ut Morrigan Macha, Anu Maeve et Maias, in sacris divinisque partu coalescit. Sic lets 'ignis de Fae et spirituum etiam nunc praecipue, quod amor sexus aliter terras inter caelumque. Pandemonium hiantem in terram nox flammae ignis mensis mi Beltaine. Déanaimis neamhaird ar bhealach na Fae agus na biotáillí fiú anois, ag dúiseacht an ghrá agus an ghnéis idir talamh agus spéir.īainis naofa idir an bhanríon agus na fianna, ag meabhrú Morrigan mar Macha, Anu agus Maeve de Bhealtaine i dtreo breithe agus an aontais naofa agus diaga.
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